Pianist Wynton Kelly and bassist Paul Chambers were working regularly with Mobley in Miles Davis’s band, while the explosive drummer Art Blakey had worked with him in the original, cooperative form of the Jazz Messengers, and the familiarity shows. This 1960 session broke the usual Blue Note quintet mold, with Mobley’s tenor saxophone featured with just a rhythm section, one that happened to be the best of the era. Bebop language using the Major and Dominant “Bebop Scale.”.The solo is tied together by the use of a two-note motive throughout, and it includes: It is loosely based on Life Is A Cabaret‘s chord progression by John Kander and Fred Ebb. Lastly, let’s see the final result of the analyzing process, using This I Dig Of You by Hank Mobley. Gene Ammons on Autumn Leaves (Gene Ammons/Sonny Stitt - Boss Tenors - 1961).Dexter Gordon on Cheesecake (Dexter Gordon - Go - 1962).Hank Mobley on This I Dig Of You (Hank Mobley - Soul Station - 1960).
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